"Subsectors" and "Homodont" are built from ostinati that gradually transform timbrally, melodically and rhythmically. The latter is named for Mario Incandenza. The title track is a canon in which a short color is transposed and distributed among different long taleae in four voices in a sort of inverted isorhythmic treatment (inverted because the taleae are longer than the color). "Contretemps" uses totally independent rhythmic and pitched materials (the latter drawn from the series 072T39541E86) in a way similar to many of the tracks from Dialectics. The percussion section in "Bahuvrihi" is an augmentation/diminution canon. "Stairbuild" is the lighly-treated result of Genesis/MegaDrive ROM hacking. The center channel is the mostly unedited emulator output, while the left and right channels are rhythmic variations on that output.
What more can you say after reading the abhorrent bio of this album that tells the vision behind it? This is the black vomit of Tchornobog: abyssal violation of your senses and pineal gland and you are not the same person after encountering this multidimensional god. 𝙅𝙤𝙚 𝙎𝙥𝙞𝙣𝙚𝙡𝙡